By Chuck Palahniuk
"A billion husbands are approximately to be replaced."
From the writer of struggle membership, the vintage portrait of the broken modern male psyche, now comes this novel in regards to the apocalyptic advertising probabilities of a brand new product that provides new intending to the time period "self-help."
Penny Harrigan is a low-level affiliate in an enormous big apple legislation enterprise with an house in Queens and no love lifestyles in any respect. So it comes as a good surprise while she reveals herself invited to dinner through one C. Linus Maxwell, a software program mega-billionaire and lover of the main stunning and entire ladies on the earth. After eating at Manhattan's so much specific eating place, he whisks Penny off to a lodge suite in Paris, the place he proceeds, laptop in hand, to deliver her to formerly undreamed-of heights of gratification for days on finish. What's to not like? This: Penny discovers that she is a attempt topic for the ultimate improvement of a line of female items to be advertised in a national chain of boutiques referred to as attractive You. So effective and potent are those units that ladies by way of the thousands line up open air the shops on starting day after which lock themselves of their room with them and forestall popping out. aside from batteries. Maxwell's plan for battery-powered global domination has to be stopped. yet how?
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Extra info for Beautiful You
Westrum to Judd: ‘Partner, you know what’s on the back of a poor man when he dies? The clothes of pride, and they are not a bit warmer to him dead than when he was alive. ’34 This film is a sideshow classic in the cultural studies pantheon and is much studied, especially for its seminal (if altogether unwitting) ruminations on postmodernity – the pastiche of the cowboy, looming modern times, moral crossroads, and so on. This crossroads western offers now, as it did then, some salutary notes for its liberal intellectual critic, but an apparently all too rational response to its carnival of (post)modern contradictions.
For Thompson and others in his camp (Williams, Hoggart, Willis) it was through the sharing of lived experience that the subaltern (well, the working classes) could achieve a class- and self-consciousness that should, it was argued, give rise to political action. The culturalists argued that Marxism had become too easily identified with a determinism that constrained the role of human agency and experience in history, rendering the human role passive; and, moreover, an economism in Marxist theory had restricted the apprehension of human relations to those merely of labour.
Now this is a critical juncture, if not for the marginalists themselves; we are after all talking about cultural studies, which is as confused over the imitation of life in art as any other ‘discipline’. But what exactly is this house of fiction and how are its ramparts threatened or even shaken by these spruikers of rupture? For Bhabha, and a significant coterie of postcolonial and ‘committed critics’, this house finds its foundations shaken in literal renderings of marginal writings and metafictions, minority discourses and other representations that find themselves, at least look for themselves, at the margin.