Armchair Nation: An intimate history of Britain in front of by Joe Moran

By Joe Moran

Yet what does your furnishings aspect at?' asks the nature Joey within the sitcom pals on listening to an acquaintance has no television. It's a very good query: for the reason that its beginnings in the course of WW2, tv has assumed a significant position in our homes and our lives, simply as satellite tv for pc dishes and aerials became beneficial properties of city skylines. tv (or 'the idiot's lantern', reckoning on your emotions approximately it) has created controversy, introduced coronations and international Cups into dwelling rooms, allowed us entry to 24hr information and media and supplied one thousand dialog starters. As exhibits come and move in attractiveness, the background of tv exhibits us how our society has changed.

Armchair Nation unearths the interesting, lyrical and infrequently fabulous historical past of small screen television, from the 1st demonstration of tv by means of John Logie Baird (in Selfridges) to the phobia and pleasure that greeted its arrival in families (some audience apprehensive it may well regulate their thoughts), the controversies of Mary Whitehouse's 'Clean Up TV' crusade and what JG Ballard thought of sizeable Brother. through journeys down reminiscence lane with Morecambe and clever, Richard Dimbleby, David Frost, Blue Peter and Coronation highway, you could flick among attention-grabbing nuggets from the unusual part of television: what occurred after a chimpanzee referred to as 'Fred J. Muggs' interrupted American pictures of the Queen's marriage ceremony, and why extraterrestrial beings can be tuning in to The Benny Hill convey.

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Extra info for Armchair Nation: An intimate history of Britain in front of the TV

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More robust or creative defenses occur in “celebrity specials”, as sometimes the contestants are seasoned public speakers and better able to cope with Anne Robinson’s attacks. Some remarks on counter-impoliteness strategies are made in Culpeper et al. (2003), but this work could be developed. In this paper, I have shown how a model of impoliteness is needed to describe the discourse of The Weakest Link. I have revised and complemented that model in the light of my data, proposing a new superstrategy of “off-record impoliteness” and a definition of mimicry, and adopted Spencer-Oatey’s (2002) face categories.

Ronald Carter’s recent landmark book Language and Creativity: The Art of Common Talk (2004) is based on the CANCODE corpus. This corpus contains almost no confrontational interactions (Carter: pers. ). Not surprisingly, therefore, 70 8. 9. 10. 11. 12. 13. Jonathan Culpeper Carter’s book does not attend to the kind of impolite usages of verbal creativity I describe in this paper. webcorp. uk/) to establish the fact that these all occur with a certain regularity in the language. However, some expressions are restricted to particular registers.

Journal of the Acoustical Society of America 93 (2): 1097Ϫ1108. Myers, Greg (2001). “I’m out of it; you guys argue”: Making an issue of it on The Jerry Springer Show. ), 173Ϫ191, Mahwah, NJ: Lawrence Erlbaum. Quirk, Randolph, Sidney Greenbaum, Geoffrey N. Leech, and Jan Svartvik (1985). A Comprehensive Grammar of the English Language. London/New York: Longman. Richardson, Kay and Ulrike Meinhof (1999). Worlds in Common? Television Discourse in a Changing Europe. London: Routledge. Ross, Lee (1977).

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