Anthology (Blakes 7, Book 4) by Gillian F. Taylor, RA Henderson, MG Harris

By Gillian F. Taylor, RA Henderson, MG Harris

A set of 3 NOVELLAS

BRAND NEW tales OF THE vintage television SERIES!

COLD REVOLUTION

Kartvel claims to have escaped Federation keep watch over – with out bloodshed. yet is all because it turns out in this mysterious planet?

BERSERKER

When the guns learn facility on area station Amber used to be close down, anything obtained left at the back of. Blake is set to

find out what...

TRIGGER POINT

Infiltration and explosions are a method the Liberator staff may also help the resistance at the corrupt planet Belzanko, yet can a subtler technique paintings too?

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Anthology (Blakes 7, Book 4)

A suite of 3 NOVELLAS

BRAND NEW tales OF THE vintage television SERIES!

COLD REVOLUTION

Kartvel claims to have escaped Federation keep an eye on – with no bloodshed. yet is all because it turns out in this mysterious planet?

BERSERKER

When the guns learn facility on house station Amber was once close down, anything received left at the back of. Blake is set to

find out what. ..

TRIGGER POINT

Infiltration and explosions are a technique the Liberator team may also help the resistance at the corrupt planet Belzanko, yet can a subtler strategy paintings too?

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Additional info for Anthology (Blakes 7, Book 4)

Sample text

In one of the most sensorially explosive 38 THE HORROR SENSORIUM scenes, Don sneaks in to see his wife who’s being kept in a medical installation. Apologizing for his reprehensible behavior — and unaware that Anna may be immune but is also a carrier of the virus — Don bends to kiss her. Figure 5: In 28 Weeks Later (Fox Atomic, 2007), after As the camera lin- exposure to the rage virus, Don (Robert Carlyle) gers on the visible ex- undergoes a violent transformation. change of saliva that occurs during the kiss, I remember preparing myself for what was sure to be a shocking and bloody transformation.

Running to a room, Paola tries to lock the door, only to find it won’t shut. The reason soon becomes clear to both Paola and the spectator — the zombie is pushing against the door. Eventually, his decaying fingers pry their way through the crack between the door and the door frame and, against the backdrop noises of the howling wind, Paola’s moans of horror and suspenseful music, we look on as she pushes against the door, causing the delicate, putrefying flesh on his fingers to ooze blood, before the fingers finally snap free from the hand and release the door in the process.

6), we take in the details of our environment: the colors and textures of the landscape that bare the marks of autumn, the rundown huts that conjure an air of the primitive, the old-style architecture of the town square that’s burdened by the weight of the past, and the peasant villagers who go about their daily duties in a strangely plodding, almost zombie-like manner. Well, of course, they are zombies or, more precisely “los ganados” (“the cattle”) who have been infected with a mind-controlling parasite known as Las Plagas.

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